full audio post Production
mix
We can mix from stereo to 5.1 surround and take care to ensure that your film sounds good in a cineplex or on Vimeo. Our mixing process is seamlessly integrated into all of the work that precedes it. This makes the final mix very efficient and leaves less room for last minute surprises.
Dialogue Edit & Restoration
Narrative and Documentary filmmakers are both susceptible to problematic production sound. Even the best projects can be compromised by unavoidable production problems (over modulation, background air conditioners, generators, or camera noise to name a few). We can improve almost anything, and in many cases completely repair production sound problems.
Foley
Foley is where rusty nails and a pair of flip-flops could become the new stars in your film. Foley sounds, unlike other sound FX, are performed while watching the film in real time and can produce naturalistic sounds, or stylized enhancements. From a single footstep to a fully filled M&E track for international distribution, we have you covered.
Raw production sound in. Full, polished mix out.
Sound Design
Sound FX can be on-screen or off, and play a vital role in creating a rich, cinematic experience. A film can be sparse and naturalistic or stylized and abstract, but in both cases the sound design is created in layers to achieve the desired aesthetic. Our access to the best sound libraries is open and ready for your use.
private screenings
We host private, catered screenings for your film at any stage (whether you post here or not). Whether it be a rough cut screening before locking picture or a finished film: SoundSpace is a great place to host screenings for investors, producing partners, or friends. Our screening services are available whether or not you did the sound with us.
VO & ADR
Voice over and much more: although it officially stands for Automated Dialogue Replacement (ADR), there isn't really anything automated about it. Having an actor speak into a tub of water, facing a corner of the room while delivering lines, or being intentionally riled by the director before a take is a more accurate depiction of an ADR session.